aisyi syafikarani

THE GRAND BUDAPEST HOTEL

Sutradara : Wes Anderson

Penulis : Wes Anderson

Genre : Comedy, Adventure

Produksi : Scott Rudin Productions,

Indian Painbrush, Studio Babelsberg

The Grand Budapest Hotel merupakan sebuah film komedi yang menceritakan tentang perjalanan hidup seorang manager hotel terkemuka Grand Budapest bernama Monsieur Gustave (Ralph Fiennes). Ia memiliki seorang lobby boy yang bernama Zero Moustafa (Tony Revolori). Permasalahan utama muncul saat Gustave dituduh telah membunuh Madame D ( Tilda Swinton), mereka dikejar-kejar oleh polisi, pembunuh bayaran hingga merebutkan lukisan “Boy with Apple” yang terkenal dan sangat mahal. Selain itu film ini juga menceritakan tentang kisah cinta Zero dengan Agatha yang merupakan seorang pembuat kue Mendl’s.

Film ini berhasil mendapatkan 9 Nominasi Oscar Academy Award yaitu Best Picture, Best Director, Best Original Screenpaly, Best Cinematography, Best Film Editing, Best Production Design, Best Costume Design, Best Make Up and Hairstyling, and Best Original Score.

Scene yang paling diingat pada film ini yaitu pada saat Kovacs mengumumkan bahwa kekayaan Madame D diwariskan kepada Gustave karena scene ini merupakan awal dari konflik.

INT. MADAME D’S HOUSE - NIGHT

(Gustave and Zero open the door and enter to the room) When the destiny of a great fortune is at stake, men’s greed spreads like a poison in the bloodstream. (VO)

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SHOT : LOW ANGLE, CLOSE UP, TRACK OUT, OBJECTIVE SHOT

(all Madame D’s family sit on that room) Uncles, nephews, cousins (VO)

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SHOT : HIGH ANGLE, LONG SHOT, PERSPEKTIF SHOT

(close shot to her family) in law of increasingly tenuous connection. The old woman’s most distant relations had come foraging out of the woodwork. (VO)

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SHOT : LOW ANGLE, CLOSE UP, PAN RIGHT, OBJECTIVE SHOT

(Gustave and Zero and Kovacs come to the room) At the head of this congregation, it was a disorienting coincidence, we discovered our own Deputy Kovacs. (VO)

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SHOT : EYES LEVEL, FULL SHOT, PAN LEFT, OBJECTIVE SHOT

(point of view to Gustave and Zero from Kovacs eyes) him self an important attourney, of course. He was the executor of the dead window’s estate. (VO)

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SHOT : EYES LEVEL, FULL SHOT, KOVAC’S POV

(Kovacs make that situation to conducive)

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SHOT : HIGH ANGLE, LONG SHOT, PERSPEKTIF SHOT

D. KOVACS

“This is Madame D’s last will and testament. It consists of a general contine drawn up before the event of her husband’s death 46 years ago, in combination with 635 amendements, notations, corrections, and letters of wishes executed during the subsequent decades.(take some documents from his box) The ultimate legality of this accumulation requires further analysis, but in the opinion of this office, it was madame D’s intention that control of the vast bulk of her estate should be transferred, forthwith, to her son, Dimitri,”

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SHOT : LOW ANGLE, LONG SHOT, TRACK IN, OBJECTIVE SHOT

(Dmitri sit bring the glass)

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SHOT : EYES LEVEL, CLOSE UP, OBJECTIVE SHOT

(Marguerite, Laetizia, and Carolina listen Kovacs explanation) “with special allowances for his sisters, Marguerite, Laetizia, and Carolina,"

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SHOT : EYES LEVEL, CLOSE UP, OBJECTIVE SHOT

“and minor gifts for various members of the extended family as shown in the List of Recipients, which I will elucidate in due course.”(all murmuring)

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SHOT : LOW ANGLE, CLOSE UP, OBJECTIVE SHOT

“However. And additional codicil, delivered into my possession by post only this morning, and by all indications, sent by Madame D during the last hours of her life, contains an amendment to the original certificate, which as prescribed by law, I will read to you now. The authenticity of this document has not yet been confirmed by the presiding magistrate, so I ask that all parties be patient and refrain from comment until such time as our investigations can be completed.” (take the letter) “To my esteemed friend who comforted me in my later years and brough sunshine into the life of an old woman who thought that she would never be happy again. Monsieur Gustave H (look at Gustave). I bequearth, bestow and devise, free of all taxation and with full and absolute fiduciary entitlement, the painting known as “Boy with Apple…”

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